 Artist: Lou Donaldson: mp3 download Genre(s): Jazz Dance Blues Discography:  Live Au New Morning Paris Year: 2005 Tracks: 12  Good Gracious Year: 2005 Tracks: 6  Natural Soul Year: 2003 Tracks: 7  Everything I Play Is Funky Year: 2003 Tracks: 6  The Midnight Creeper Year: 2000 Tracks: 5  Man With a Horn Year: 1999 Tracks: 9  Blues Walk Year: 1995 Tracks: 6  Alligator Bogaloo Year: 1990 Tracks: 6 Lou Donaldson has retentive been an fantabulous bop alto saxophonist influenced by Charlie Parker, only with a more than blues-based style of his have. His classifiable stone's throw has been heard in a change show of small-group settings, and he has recorded slews of worthy and spunky (if middling predictable) sets through the age. Donaldson started playing clarinet when he was 15, before long switch to the alto. He attended college and performed in a Navy stripe spell in the military. Donaldson number one gained attention when he affected to New York and in 1952 started recording for Blue Note as a leader. At the long time of 25, his style was fully formed, and although it would keep growing in profoundness through the long time, Donaldson had already establish his profound. In 1954, he participated in a notable gig with Art Blakey, Clifford Brown, Horace Silver and Tommy Potter that was extensively documented by Blue Note and that at once predated the Jazz Messengers. However, Donaldson was ne'er a penis of the Messengers, and although he recorded as a sideman in the fifties and occasionally subsequently with Thelonious Monk, Milt Jackson and Jimmy Smith, among others, he has been a bandleader from the mid-1950s up until the stage. Donaldson's early Blue Note recordings were pure federal Bureau of Prisons. In 1958, he began oftentimes utilizing a conga player, and starting in 1961 his bands oft had an organist sooner than a pianist. Donaldson's bluesy flair was well movable to soul-jazz, and he sounded most original in that setting. His association with Blue Note (1952-63) was succeeded by some excellent (if now-scarce) sets for Cadet and Argo (1963-66). The altoist returned to Blue Note in 1967 and before long became caught up in the increasingly commercial leanings of the tag. For a meter, he utilized an electronic Varitone adolphe Sax, which totally watered down his good. The success of "Alligator Boogaloo" in 1967 lED to a series of less interesting funk recordings that were instantaneously dated and not desirable of his talent. Notwithstanding, after a few days off records, Lou Donaldson's artistic return in 1981 and subsequent soul-jazz and hard federal Bureau of Prisons dates for Muse, Timeless and Milestone have establish the altoist back in prime conformation, interacting with organists and pianists likewise and exhibit that his style is quite timeless. |
We Are Scientists | Download mp3
